TY - JOUR
T1 - Entangled values
T2 - A reply to dodd
AU - Stecker, Robert
N1 - Publisher Copyright:
© British Society of Aesthetics 2015. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved.
PY - 2015/7/1
Y1 - 2015/7/1
N2 - It is not uncommon these days to claim that we should distinguish between artistic value and other types of value, including aesthetic value. A problem for this proposal is posed by the fact that artworks have valuable properties that are no part of its artistic value. Unless there is a way to distinguish artistically valuable properties from other valuable properties, some will be unconvinced that the distinction is viable.1 For this reason, I have proposed a test for artistic value to underwrite support for the distinction.2 The main idea of the test is that we gain access to artistic values of artworks by means of understanding or appreciating those works, and this is not necessary to identify a work's non- Artistic values. Julian Dodd has argued the test is flawed and his criticism is based on a phenomenon I will call value entanglement.3 In this paper, I will identify the interesting phenomena of value entanglement, argue that it does not threaten the current version of the test I endorse, and explore whether there are other problems for that test.
AB - It is not uncommon these days to claim that we should distinguish between artistic value and other types of value, including aesthetic value. A problem for this proposal is posed by the fact that artworks have valuable properties that are no part of its artistic value. Unless there is a way to distinguish artistically valuable properties from other valuable properties, some will be unconvinced that the distinction is viable.1 For this reason, I have proposed a test for artistic value to underwrite support for the distinction.2 The main idea of the test is that we gain access to artistic values of artworks by means of understanding or appreciating those works, and this is not necessary to identify a work's non- Artistic values. Julian Dodd has argued the test is flawed and his criticism is based on a phenomenon I will call value entanglement.3 In this paper, I will identify the interesting phenomena of value entanglement, argue that it does not threaten the current version of the test I endorse, and explore whether there are other problems for that test.
UR - http://www.scopus.com/inward/record.url?scp=84983604564&partnerID=8YFLogxK
U2 - 10.1093/aesthj/ayv021
DO - 10.1093/aesthj/ayv021
M3 - Article
AN - SCOPUS:84983604564
SN - 0007-0904
VL - 55
SP - 393
EP - 398
JO - The British Journal of Aesthetics
JF - The British Journal of Aesthetics
IS - 3
ER -