TY - JOUR
T1 - "Gleaners" and "waste"
T2 - The post-issue/advocacy documentary
AU - Corbett, Kevin
PY - 2013
Y1 - 2013
N2 - Issue/advocacy filmmaking has changed significantly in recent decades. Many modern documentary filmmakers have no problem placing themselves within their films, even when those films are not necessarily about them. A few filmmakers have gone even further, however, using the "issue" as merely a starting-off point, sometimes leaving it behind completely, a practice that has resulted in a new era, or at least a subgenre or trend, that might be called the "post-issue/advocacy" documentary. This new type of documentary is illustrated through a comparison of two recent films - Agnès Varda's The Gleaners and I and Lucy Walker's Waste Land.
AB - Issue/advocacy filmmaking has changed significantly in recent decades. Many modern documentary filmmakers have no problem placing themselves within their films, even when those films are not necessarily about them. A few filmmakers have gone even further, however, using the "issue" as merely a starting-off point, sometimes leaving it behind completely, a practice that has resulted in a new era, or at least a subgenre or trend, that might be called the "post-issue/advocacy" documentary. This new type of documentary is illustrated through a comparison of two recent films - Agnès Varda's The Gleaners and I and Lucy Walker's Waste Land.
KW - Documentary film
KW - Issue/ advocacy
KW - Michael Moore
KW - The Gleaners and I
KW - Waste Land
UR - http://www.scopus.com/inward/record.url?scp=84888634407&partnerID=8YFLogxK
U2 - 10.1080/01956051.2012.755487
DO - 10.1080/01956051.2012.755487
M3 - Article
AN - SCOPUS:84888634407
SN - 0195-6051
VL - 41
SP - 128
EP - 135
JO - Journal of Popular Film and Television
JF - Journal of Popular Film and Television
IS - 3
ER -