TY - JOUR
T1 - The Development of a Model and Assessment Instrument of Choral Music Teaching Styles
AU - Gumm, Alan J.
PY - 1993/10
Y1 - 1993/10
N2 - Basing this study on teachers’ perceptions of their own teaching, I identified teaching styles in secondary choral music and developed a self-report scale to assess choral music teaching style. Ten dimensions of choral music teaching style were identified through common factor analysis of 134 teaching behaviors. Eight of these dimensions were validated through confirmatory factor analysis. The dimensions were labeled Student Independence, Teacher Authority, Positive Learning Environment, Aesthetic Music Performance, Nonverbal Motivation, Time Efficiency, Group Dynamics, and Music Concept Learning. Test-retest reliability of the subscales that were used to assess the eight validated dimensions indicated acceptable consistency over time. Eleven choral music teaching styles were identified through k-means cluster analysis of directors, based on their scores on the dimensions. Clusters of directors from two samples were cross-validated with discriminant analysis. The teaching styles were labeled Student-Centered Comprehensive Musicianship Oriented, Teacher-Controlled Comprehensive Musicianship Oriented, Student/Subject Matter Interaction Oriented, Task Oriented, Music Performance Oriented, Cooperative Learning Oriented, Concept Presentation Oriented, Content Oriented, Low Teacher Involvement Oriented, Discovery Oriented, and Nonfocused Low-Interaction Oriented.
AB - Basing this study on teachers’ perceptions of their own teaching, I identified teaching styles in secondary choral music and developed a self-report scale to assess choral music teaching style. Ten dimensions of choral music teaching style were identified through common factor analysis of 134 teaching behaviors. Eight of these dimensions were validated through confirmatory factor analysis. The dimensions were labeled Student Independence, Teacher Authority, Positive Learning Environment, Aesthetic Music Performance, Nonverbal Motivation, Time Efficiency, Group Dynamics, and Music Concept Learning. Test-retest reliability of the subscales that were used to assess the eight validated dimensions indicated acceptable consistency over time. Eleven choral music teaching styles were identified through k-means cluster analysis of directors, based on their scores on the dimensions. Clusters of directors from two samples were cross-validated with discriminant analysis. The teaching styles were labeled Student-Centered Comprehensive Musicianship Oriented, Teacher-Controlled Comprehensive Musicianship Oriented, Student/Subject Matter Interaction Oriented, Task Oriented, Music Performance Oriented, Cooperative Learning Oriented, Concept Presentation Oriented, Content Oriented, Low Teacher Involvement Oriented, Discovery Oriented, and Nonfocused Low-Interaction Oriented.
UR - http://www.scopus.com/inward/record.url?scp=84965456387&partnerID=8YFLogxK
U2 - 10.2307/3345324
DO - 10.2307/3345324
M3 - Article
AN - SCOPUS:84965456387
SN - 0022-4294
VL - 41
SP - 181
EP - 199
JO - Journal of Research in Music Education
JF - Journal of Research in Music Education
IS - 3
ER -