Tropological Interactions and Expressive Interpretation in Stravinsky’s Neoclassical Works

Scott Schumann

Tropological Interactions and Expressive Interpretation in Stravinsky’s Neoclassical Works

Scott Schumann

Music, School Of

Research output: Contribution to conference › Paper › peer-review

Abstract

Extends and applies Robert Hatten's Four Tropological Axes to an analysis of the French overture topic in Stravinsky's ballet "Apollon musagète."

Original language	English
State	Published - Feb 26 2016
Event	Texas Society for Music Theory 2016 - Belton, TX Duration: Feb 26 2016 → Feb 26 2016

Conference

Conference	Texas Society for Music Theory 2016
Period	02/26/16 → 02/26/16

Cite this

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title = "Tropological Interactions and Expressive Interpretation in Stravinsky{\textquoteright}s Neoclassical Works",

abstract = "Extends and applies Robert Hatten's Four Tropological Axes to an analysis of the French overture topic in Stravinsky's ballet {"}Apollon musag{\`e}te.{"}",

author = "Scott Schumann",

year = "2016",

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AU - Schumann, Scott

PY - 2016/2/26

Y1 - 2016/2/26

N2 - Extends and applies Robert Hatten's Four Tropological Axes to an analysis of the French overture topic in Stravinsky's ballet "Apollon musagète."

AB - Extends and applies Robert Hatten's Four Tropological Axes to an analysis of the French overture topic in Stravinsky's ballet "Apollon musagète."

UR - https://tsmt.unt.edu/2016Program.html

M3 - Paper

Y2 - 26 February 2016 through 26 February 2016

ER -

Tropological Interactions and Expressive Interpretation in Stravinsky’s Neoclassical Works

Abstract

Conference

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