Tropological Interactions and Expressive Interpretation in Stravinsky’s Neoclassical Works

Scott Schumann

Tropological Interactions and Expressive Interpretation in Stravinsky’s Neoclassical Works

Scott Schumann

Music, School Of

Research output: Contribution to conference › Paper › peer-review

Abstract

Extends and applies Robert Hatten's Four Tropological Axes to an analysis of the French overture topic in Stravinsky's ballet "Apollon musagète."

Original language	English
State	Published - May 6 2016
Event	Music Theory Midwest 2016 - Fayetteville, AR Duration: May 6 2016 → May 6 2016

Conference

Conference	Music Theory Midwest 2016
Period	05/6/16 → 05/6/16

Cite this

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title = "Tropological Interactions and Expressive Interpretation in Stravinsky{\textquoteright}s Neoclassical Works",

abstract = "Extends and applies Robert Hatten's Four Tropological Axes to an analysis of the French overture topic in Stravinsky's ballet {"}Apollon musag{\`e}te.{"}",

author = "Scott Schumann",

year = "2016",

month = may,

day = "6",

language = "English",

note = "null ; Conference date: 06-05-2016 Through 06-05-2016",

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T1 - Tropological Interactions and Expressive Interpretation in Stravinsky’s Neoclassical Works

AU - Schumann, Scott

PY - 2016/5/6

Y1 - 2016/5/6

N2 - Extends and applies Robert Hatten's Four Tropological Axes to an analysis of the French overture topic in Stravinsky's ballet "Apollon musagète."

AB - Extends and applies Robert Hatten's Four Tropological Axes to an analysis of the French overture topic in Stravinsky's ballet "Apollon musagète."

M3 - Paper

Y2 - 6 May 2016 through 6 May 2016

ER -

Tropological Interactions and Expressive Interpretation in Stravinsky’s Neoclassical Works

Abstract

Conference

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