Abstract
Bernard Shaw’s drama Major Barbara (1905) revives the pre-modern notion of utopia in order to explore the interrelations between the modernist avant-garde, capitalist urban culture, and the global arms trade, and in doing so bears a more complex relation to cultural modernism and the workings of neoliberal free-market capitalism than previously acknowledged.
| Original language | English |
|---|---|
| Pages (from-to) | 32 pages in ms |
| Journal | SHAW: The Journal of Bernard Shaw Studies; The Pennsylvania State University Press |
| Volume | 39 |
| Issue number | 2 |
| State | Accepted/In press - Dec 2019 |